Chronicles, Volume 1

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Additional engineering and production by Rick Kwan. Artwork design by burnett. Machines are slaves. Kraftjerkz is an electronic music label dedicated mostly to enthusiasts of mid's technology. Contact Kraftjerkz. In the middle, there are less enjoyable but revealing excursions into two later junctures in the singer's career, studies in alienation, frustration and compromise.

Chronicles, Vol. 1 - Bob Dylan | Songs, Reviews, Credits | AllMusic

What's not in the book could fill tomes and already has. There's nothing about singing at the march on Washington or going electric at Newport in or the "Judas! Nothing about drugs or sex. Nothing about the fundamentalist Christian phase or about his Jewishness. None the less, in the course of his meandering narrative, Dylan touches on a fascinating variety of topics - personal, musical, historical. New York at the dawn of the 60s is recreated with warmth and detail.

This is the flickering urban landscape of "Visions of Johanna", peopled with "all kinds of characters looking for the inner heat", mingling in cluttered, carefully observed Greenwich Village apartments. In Dylan's memory New York is "cold, muffled, mysterious", a city of epiphanies: "I passed a horsedrawn wagon full of covered flowers, all under a plastic wrap, no driver in sight.

The city was full of stuff like that.

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Chronicles is peppered with vivid sketches of the stars of New York's folk demimonde: Fred Neill, Cisco Houston, Len Chandler, Paul Clayton whose suicide a few years later Dylan does not mention , the blues guitarist and Marxist intellectual Dave Van Ronk "no puppet strings on him ever". John Hammond, the veteran leftwinger who produced Dylan's first albums, is recalled with awe: "There were maybe a thousand kings in the world and he was one of them. The prose is a Dylanesque blend of luminous specifics and myopic vagueness.

It's unpruned, sometimes repetitious. But the lapses and rough edges are part of the Dylan package. Among the book's pleasures are brief, acute appreciations of, among others, Roy Orbison, Ricky Nelson, Harry Belafonte, Hank Williams, Johnny Cash, "the bittersweet, lonely, intense world of Harold Arlen", composer of "the cosmic 'Somewhere over the Rainbow'". There are also intriguing, off-the-wall observations about figures ranging from Clausewitz and Thucydides to Joe Hill and Balzac "He wears a monk's robe and drinks endless cups of coffee The Dylan of these chapters is a true believer in the religion of folk, which "exceeded all human understanding, and if it called out to you, you could disappear and be sucked into it.

History was cyclical: societies emerge, flourish, decline but "I had no idea which of these stages America was in". Here he seems to be reading back into his youth some of the attitudes he struck later on. Please select a specific package to create a widget for:. Sign in.

"Chronicles, Volume 1"

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